Showcase CD
Seldom
Blues- Alexander Zonjic:
Windsor Ontario
native, Alexander Zonjic started in music as a rock guitarist. He actually
didn't even own a flute until the age of 21. It was then that he bought
his first one through a chance encounter with a shady character on a street
corner. Zonjic liked the way the instrument gleamed in its case. Within
a year, Alexander had learned enough of the basics to be accepted in the
music program at the University of Windsor. There, he immediately became
immersed in the works of Bach, Mozart and other masters.
At the same time though, Zonjic was listening to modern masters of the
flute, jazz artists such as Hubert Laws and Herbie Mann. It was in this
way that he developed a love for a more contemporary style of expression.
Shortly after graduating, Zonjic was performing in a club in Detroit,
when he was approached by Bob James. James enjoyed Alexander's playing
and asked him to join his band. That was a relationship that blossomed
into a lengthy association as Zonjic toured with James for about ten years. |
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In the course of events, this led to a variety of gigs and eventually
to the launch of Alexander's own solo career. In this regard, Zonjic
has had several well accepted releases with Seldom Blues being the most
recent of these.
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The album title is a reference to a jazz night club that Zonjic opened
not quite a year ago. Nevertheless, this effort may well represent Alexander's
most consistent and focused effort to date. It has been nominated as
album of the year at the inaugural edition of the Canadian Smooth Jazz
Awards which Alexander is hosting in early April. In addition, it's
also the album that finds itself in our musical spotlight. So, as we
launch our feature, we begin with Leave It With Me. Quantum opens hour
2 and as we sign off, we have Isabela, a great Spanish flavoured tune
featuring guests Peter White & Jeff Lorber!
CD: Seldom Blues
Label: Heads Up
Web Sites: Alexander
Zonjic ; Heads Up ; Seldom
Blues
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| Fresh Trax: Part One |
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Nightlife
- Paul Taylor:
Taylor
grew up in Denver, CO and picked up his first sax at age seven. He developed
a distinctive style early on while listening to players such as Grover
Washington Jr. and David Sanborn. Taylor first considered a career in
music while he was still in high school. After receiving a scholarship
to the University of Nevada, Paul would often commute to Los Angeles
in an effort to build his resume. In the course of things, he took part
in a session with Jeff Lorber and a few years later he was asked to
accompany Lorber at the Catalina Island Jazz Trax Festival. As he performed,
Taylor was spotted by Keiko Matsui and her husband & producer Kazu,
who both enjoyed his playing. He was offered an audition and ended up
recording and touring with Keiko for a couple of years. Meanwhile, it
was Kazu who produced Taylor's debut release in 1995. After a brief
stint touring with the Rippingtons a couple of years ago, Taylor has
resumed his solo career and has just released Nightlife, his 6th project
overall. From that effort we have the advance single and the title track.
CD: Nightlife
Label: Peak Records
Web Site: Paul
Taylor
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T-Jam
- George Duke:
In
a career that dates back to late 60s, George Duke's name has taken on
legendary status. Duke was born in San Rafael CA. He first "flipped
out" over music when he was just four and saw another Duke, that
being Duke Ellington, perform in concert. George began on piano at the
age of 7. Early on he became aware of the emotional impact that music
could have. This he witnessed first hand at his local Baptist church.
Following high school, Duke attended the San Francisco Conservatory
Of Music. He majored in trombone and composition, and graduated in 1967
with a Bachelor's degree. George then connected with Al Jarreau & formed
a group which for time performed as the house band at the Half Note
Club in San Francisco. He later attained his Masters Degree and shortly
thereafter began his work with some of the fusion greats of the day
such as Jean-Luc Ponty, Stan Clarke, and Billy Cobham. He enjoyed a
pair of stints with Frank Zappa and The Mothers of Invention and he
also toured with Cannonball Adderly.
It was 1976 when Duke finally launched his solo career and then in the
late 70s he also got into producing. In this regard, George has enjoyed
some of his greatest success. He's earned several Grammy Award nominations
and even won a few including one for his work with Miles Davis on Tutu.
Commercially, one of Duke's biggest hits was Let's Hear for the Boy
by Deniece Williams. The list of accomplishments goes on, from acting
as musical director for the Soul Train Music Awards for 9 years, to
production credits too numerous to mention, to his own solo work. He's
scored for TV and film and headlined numerous Jazz Festivals all over
the world. Now with over 30 solo projects to his credit, Duke has definitely
earned a spot in anybody's musical hall of fame. From his soon to be
released latest effort, which is simply titled Duke, we have T-Jam,
the powerful advance single.
CD: Duke
Label: BPM Records
Web Site: George
Duke
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After Hours ~ Exclusive to our Web Site : |
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this edition there's new music from Chieli Minucci and his forthcoming
release and we're introducing Winston Byrd, Quintin Gerard W, & Lisa Lauren.
There are great tunes from Bobby Wells, Everette Harp, Marcus Johnson
and Jason Miles as we explore their recent releases as well as from the
duo of Rich Arnold & Mike Young . Craig Chaquico is featured on T&N and
we've also included a piece from Pieces of a Dream for good measure !
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Then & Now
Feature:
Once In A Blue Universe
Higher Octave Music
1997
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Four Corners
Higher Octave Music
1998
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Shadow and Light
Higher Octave Music
2002
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Midnight Noon
Higher Octave Music
2004
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Craig Chaquico: Chaquico's
journey in music began as the result of a personal tragedy. At the
age of twelve, he fell victim to a drunk driver. Despite multiple
injuries, which included two broken arms as well as a broken leg,
wrist and thumb, Craig's desire to master the guitar became his
motivation for recovery. Self-taught and still in high school, he
started gigging around town and then, although he was only sixteen
at the time, Grace Slick recruited him as lead guitarist for her
new band Jefferson Starship.
By the time he left that group, Craig had become disillusioned with
the "corporate" mentality that permeated rock 'n' roll. Unsure of
which direction to take, fate stepped in to provide an answer. His
wife was pregnant at the time and to quote Craig," ..the electric
guitar was not as welcome around the house." He started playing
the acoustic guitar and soon remembered its healing qualities. And
so it was that Craig took a left turn into what was then uncharted
musical terrain. Never abandoning his rock roots, but rather expanding
his musical radius, Chaquico released his first solo project to
great acclaim and has since developed into one of the top artists
in contemporary instrumental music with a total of seven cds and
one best of project to his credit.
We pick up the story in 1997 with Once in a Blue Universe and what
was already Chaquico's 4th album. From that we present Lights Out
San Francisco with Peter White guesting on the track. That's followed
by Forbidden Love with Paul Taylor on sax, and Could We Fall In
Love. Craig's current hit, Her Boyfriend's Wedding from Midnight
Noon, concludes the segment.
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