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March 11th, 2007 Edition #437 Previously 
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| Richard Elliot and Rick Braun, a couple of long-time friends, contribute to the project. Meanwhile another old friendship was renewed. Making a guest appearance on What Does It Take is saxman Sam Riney, whom White had not seen since the Reflections cd 12 years earlier! We have that track, as one of three exceptionally tasty selections we've specially chosen as part and parcel of the showcase feature. | |||
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| Back Trax: Part One | |
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Song For Elizabeth - Jonathan Butler:
Born the youngest of twelve children in Cape Town, South Africa, as a 13-year-old, Butler made history, when his debut single became the first record by a black artist ever to be played on white radio. He's gone on to become one of the biggest stars in Smooth Jazz with over a dozen releases to his credits. On this occasion, we're revisiting the album Do You Love Me for one of his most popular selections, Song for Elizabeth, with Dave Grusin guesting on the Fender Rhodes and a track Butler wrote in honour of his mother!! CD: Do You Love Me? (1997) Label: N2K Encoded Music Site: Jonathan Butler |
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Ray Hip - Bona Fide: Back in the late 90s, band founder Tim "Slim Man" Camponeschi contacted a few friends in the Baltimore area and laid out a concept that was a radical departure from the normal fair in the Smooth Jazz genre. The debut release as Bona Fide delivered a grittier brand of music with a much funkier edge - in recognition of their cutting-edge contribution, Slim and the boys were named the top new group for 2001. In heading back to that release, we could have chosen High Street, the single that broke the sound of the band, while previously we've featured the heavy and club ready sounds of the title track. This time we've opted for what was their second single, the assertive phrasing of X Ray Hip !! CD: Royal Function (1999) Label: N-Coded Music Site: Bona Fide/Slim Man |
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| Back Trax: Part Two | |
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Angelica - T.D.F.: TDF (standing for Totally Dysfunctional Family) was a one-off project, fronted by British keyboardist/producer Simon Climie and a mysterious collaborator identified only as x-sample. This turned out to be none other than guitar legend Eric Clapton - this was not Clapton's first time performing under an alias as some of his defining moments as an artist came thru his work with Derek and the Dominos. The TDF album began as an instrumental sound bed commissioned by fashion designer Giorgio Armani to accompany a showing in Milan. Upon its completion, it proved a highly eclectic mix, blending elements of rock, techno, and world music. Although he rarely delved into the more experimental aspects of music, recording under the pseudonym seems to have buoyed Clapton, giving him free range to explore different techniques. The album was quite a departure from Clapton's traditional blues-based approach and significantly different from anything else he attempted either prior, or subsequent to, its release. Despite being a critical and commercial flop, Clapton's incredible talents prevail on the acoustic track Angelica - quite simply gorgeous!! CD: Retail Therapy (1997) Label: Reprise Records Site: S.Climie ; E.Clapton |
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Millennium Dance - Jeff Jarvis: Jeff Jarvis has enjoyed a distinguished and multi-faceted career as a musician and educator. After a background in classical music, Jarvis won a scholarship to Valley Forge Military Academy, where he performed for President Richard Nixon & other dignitaries. As a studio trumpeter, Jarvis played in centers like Nashville and Los Angeles, and took part in recording over 100 albums. His resume is laden with major names - Lou Rawls, Michael Jackson, and Melissa Manchester appear on that list. On the live circuit, Jarvis backed many of the top players in straight-ahead jazz including Dizzy Gillespie, Louie Bellson, Joe Williams, and Doc Severinsen. He's co-authored a couple of handbooks on teaching jazz and presently, he is the Director of Jazz Studies at California State University Long Beach, where he also serves as an Assistant Professor. In addition, Jarvis' solo efforts have won critical acclaim. After a pair of contemporary releases separated by many years, Jarvis released a pair of projects on Positive Music Records in the mid 90s - both reached the Gavin top ten. His 6th and most recent effort as a leader was produced by Brian Culbertson and featured the talents of Brian Bromberg, Lenny Castro, and Paul Jackson, Jr. Titled Morning Drive, the album was released in the year 2000, and from it we have the aptly named Millennium Dance, with Steve Cole guesting on sax!! CD: Morning Drive (2000) Label: Amherst Records Site: Jeff Jarvis |
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Elegance
on the Catwalk - Jonathan Cain: |
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| After Hours ~ Exclusive to our Web Site : | ||||||||||||||||
| This week, Part 1 of an extended two-part Then & Now feature spotlighting the music of Spyro Gyra and our most ambitious presentation to date!! | ||||||||||||||||
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Spyro Gyra:
Founded in about
1975, Spyro Gyra originally emerged on the club scene in Buffalo NY.
Anchored by Jay Beckenstein and his longtime friend, keyboardist Jeremy
Wall, the band didn't have a fixed line up but rather featured a revolving
set of musicians. They began to cultivate a following and appeared
regularly at many of that city's finer venues. On one occasion, a
club owner asked for the band name so he could advertise the group.
Beckenstein jokingly offered 'Spirogyra,' a term he recalled from
a college biology course, which related to a type of green algae commonly
referred to as pond scum. Being unfamiliar with the term, the impresario
spelled it the best he could - he wasn't far off, billing the band
as Spyro Gyra, and in so doing he inadvertently named the group.
In the aftermath of the record's success, Wall retired from live performances although he continued to contribute to the band's studio projects as an assistant-producer and composer. This left Tom Schuman in charge of the keys at concerts while also assuming a greater roll in the studio. Vibe/marimba player Dave Samuels proved a major factor in the band's popularity - frequently contributing to their albums, Samuels accepted full membership in the band in 1983 thru until 1993. Although band personnel fluctuated, it was Beckenstein and this combination of players that guided the fortunes of Spyro Gyra thru the 80s. As Jay and the band take center stage, we're zeroing in on a 26-track feature - 13 this week and 13 more next week. Our initial focus encompasses 1978 to 1989, beginning with Shaker Song; Morning Dance & Catching the Sun round out the opening set. Set 2 includes, Café Amore, Summer Strut, and Old San Juan. City Kids kicks off the 3rd set, with Latin Streets and Sunflurry. While Freefall, Cayo Hueso, Limelight, & Counterpoint take us halfway home. All tracks are taken sequentially from the albums as listed above. Next week, the story resumes with Part 2 and Fast Forward from 1990. Site: Spyro Gyra | ||||||||||||||||
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