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Highlights!
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Showcase CD |
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| He began recording Paradise Station, his debut cd, in 1992. That project was released a couple of years later and marked the first time that a Brazilian album was released simultaneously in both Brazil and the USA. It was very well received. In addition to being regarded as one of the finer releases for the year, the record yielded Train to Uberaba which became a top hit. This all led to tour duty in the USA. Last Look, his sophomore effort, followed in 1995 and achieved even greater success. The single, Ocean Way, ranked among the top 20 songs for the year while the album itself placed in the top 30 on smooth jazz radio in the USA. In spite of this success, Torcuato chose in 1998, to work in a different aspect of the music industry. He became head of A&R for a major label in Brazil. He produced a variety of diverse projects and he continued in that capacity for several years. | |
![]() Torcuato in the studio |
It was during this period, that the ideas for Mariano's
current project first took root, so that now, after a hiatus of nearly
ten years, Torcuato has just issued Diary. On this his third solo outing,
the seasoned performer delivers an accomplished blend of jazz and Brazilian
sounds with several musical highlights that might best be described as
outstanding. The music is expressive, melodic and heart felt and provides
ample substance for our feature. So as we showcase Diary, get set to enjoy
the smooth Latin vibe of Paula, Where Love Will Take, and High Frequency.
CD: Diary Label: 215 Records |
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| Fresh Trax: Part One | |
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Looking
In - Jamie Bonk: Hailing from Toronto, Bonk actually began his musical training on piano in Winnipeg, where his family lived for a time in the 70s. After discovering rock & roll and world music, he switched to guitar and then spent a good portion of the mid-80s in pursuit of a degree in music composition. Following this, Bonk became a freelance studio player and for a time taught guitar at the Toronto Guitar Institute. However, he left that position in 1997 to concentrate on recording his own compositions. His self-titled debut was released in Canada later that same year and then early the following year in the USA. In addition to being named the New Age Voice Radio Album of the Year for 1999, Jamie's record was also the longest charting cd in the NAV top 100. His follow up project debuted at #1 and remained in the top 20 for six consecutive months. In the process, Jamie gained airplay on over 500 stations worldwide. It's now been four long years since we've heard anything new from this standard bearer of contemporary instrumental music in Canada, but that wait is over as Bonk has just issued My World. This, his 3rd solo outing, is easily Jamie's most diverse effort to date. This album contains all the subtleties and dynamics of Bonk's previous efforts, but in addition it explores new terrain as Jamie continues to draw upon influences from new age, jazz, world, pop, classical music and beyond. We begin to explore My World with a totally soothing piece titled Looking In. CD: My World Label: Bonk Productions Site: JamieBonk.com |
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Wait
and See - Jeff Kashiwa: |
| Fresh Trax: Part Two | ||
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One
Rainy Night - Vince Madison: |
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Work
To Do - Fattburger: |
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Little
Star - Vlad: |
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| After Hours ~ Exclusive to our Web Site: | |||||
| Ok, so here we go with about 80 minutes of great music presented in two parts. There's a cool tune from Pure, the new one from Boney James. We have the latest from Soul Ballet and another fine piece from James Vargas. As well, we've gone to The Groove Boutique, the compilation arranged and mixed by Rafe Gomez, for the chilled out sounds of Orange Factory and Richard Smith is featured on T&N. More brand new selections from TFOXX, Robert Monteleone, Garner Thomas and Sergio Caputo as we explore each of their cds and we're introducing the music of Bostick,George Collichio, and Christiaan Mostert. If you enjoy music that is removed from the ordinary, then you'll love After Hours! | |||||
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Richard Smith: Although he was born in Detroit, Smith’s musical roots are firmly planted in Oregon, where he spent the better part of his youth. He left school at the age of 19 to pursue offers of a recording contract and a tour with keyboardist Dan Siegel. Richard spent a few years studying at USC in LA, where he entered a Masters program in music. At about the same time, Smith became immersed in that city’s burgeoning contemporary music scene. A demo tape, led in due course, to a lengthy gig with saxman Richard Elliot that included recording six #1 cds with Elliot. As part of his multi-faceted career, shortly after graduating from USC, Smith promptly turned around and joined the teaching faculty at that university’s highly regarded Thornton School of Music. In addition to his various projects as a music educator, Richard has simultaneously worked on a solo career with the release of several fine albums. We have an excellent sampling cross section on After Hours. Check out the sounds of Caledonian Road, Never Too Much, When the Soul is Smiling, and Whatz Up ?! in that order from the above mentioned cds respectively. |
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